Perception, Reception and Deception: The role of the media in society

Trinity College Dublin, 19-21 April 2011.

The 4th biennial Media History conference, ‘Perception, Reception and Deception’, jointly organised by the Trinity Long Room Hub, Trinity College Dublin, the Centre For Media History, Aberystwyth University, and the journal Media History, will focus on the ways in which people have understood the social, cultural and political roles of the media over the past five centuries. The concept of ‘the media’ will be interpreted broadly, so as to include newspapers, magazines and one-off publications which included news and information, as well as manuscript, aural, visual, and broadcast and other electronic sources.

A great deal of work has been done by scholars on the institutional, political and cultural history of various forms of media. ‘Perception, Reception and Deception’ will build on this literature to explore the ways in which print, manuscript, visual representations and the broadcast media have been understood, conceptualised, and imaginatively represented in the societies in which they were produced. It will, in other words, focus not on media production but on the reception, depiction and perception of the media by individuals and groups of individuals in a variety of different contexts over time.

How have readers, consumers, and the industry itself framed arguments about the media as a force for good (or evil) at different points in time? Have contemporaries always seen the media as an agent of change, or is there a counter-history of the media to be written in terms of promoting conservatism, deference and order? How have people understood and represented the media in terms of concepts of personal and geographical space, time and changing belief systems?  Can we think ‘internationally’ about the similarities and differences between perceptions of the media in different states and nations over time, or is the media still best understood and examined in largely local or regional contexts?   How, in short, have men and women answered in different contexts the apparently simple questions, ‘what is the media, and what is it for?’

Abstracts, of no more than 200 words for papers of between 20 to 25 minutes duration, should be sent by close of business on 30 September 2010 to Mediahistory2011@gmail.com. We welcome proposals from a range of chronological, geographical and methodological backgrounds. Additional enquiries can be directed to one or more of the following: Dr. Jason McElligott jmcellig@tcd.ie , Dr Sian Nicholas shn@aber.ac.uk or Professor Tom O’Malley tpo@aber.ac.uk

I’m tempted to submit an abstract… with my interest here in Second World War Posters, and my current emphasis on new media!

Death at War

On Saturday 15 May the University of Winchester’s MA in Religion, Rhetoric & Death held it’s first ‘Death Day‘, a really interesting event with a great balance of interesting speakers. I missed the first session, but then listened to really thought-provoking talks from Cribb’s funeral parlours, the UK Manager of Cemeteries, and a conductor of ‘secular funerals’ – covering a range of ideas about how the funeral business has changed and is changing. After an interesting lunch sat with a number of ‘Revs’ it was time to give my paper (above), combining with a paper from Helen Frisby on mourning practices in Victorian Britain… followed by a paper on the use of effigies before the ‘Rock & Roll’ session of the day: ‘Slasher movies’ and the use of obituaries for celebrities, especially when suicide is involved (and drew our attention to a new magazine: Eulogy). Lots of food for thought from the day, especially enjoyable when it’s a conference not related to either of the subjects I teach (History & Media Studies) and just a chance to enjoy!

Universities: Keep Calm and Carry On

I had to come up with a conference paper on the theme of ‘Keep Calm and Carry On’, so here is the link to the audiocast of it… it relates to Universities needing to be prepared for crises/disasters, with specific reference to electronic tools.

Floods? Snow? Swine Flu? Terrorist Threats? “Keep Calm and Carry On”

Floods? Snow? Swine Flu? Terrorist Threats?  “Keep Calm and Carry On”

During the Second World War, the British government sought to use appropriate communications tools to convey policy to the populace, whether via posters, newspapers, radio, or legislation. Resource restrictions meant that there was not always a free choice in which to use.

Sound familiar? It should.”

Read the full abstract.

Death Day: May 15th 2010

Death Day Poster

Strand: Either: ‘Death and the Arts’ or ‘Death and Culture’

Title: Death at War

Abstract:

In the Second World War, the second ‘total war’ of the Twentieth Century, death was a daily reality for both those on the fighting fronts and those on the Home Front in Britain.  The Ministry of Information (MOI), officially formed at the outbreak of the Second World War, was the central governmental publicity machine, working with other official bodies, including the War Office. Its role was to tell the citizen ‘clearly and swiftly what he is to do, where he is to do it, how he is to do it and what he should not do’.

Posters produced by the MOI needed to deal with the ever-present reality of death, whilst it was often difficult to be too realistic, as graphic images of death would not necessarily have been well received. How did governmental bodies deal with the representation of death, ensuring that the seriousness of their message was conveyed, whilst avoiding too “starkly realistic posters” for those who “already knew so much of reality”. Are there clear differences between the images aimed at soldiers, industrial worker and civilians? Was humour ever seen as an appropriate tool in relation to the possibility of death? What were some of the more subtle symbols of death which recurred within wartime posters, particularly within health and “Careless Talk” campaigns?

Biographical Details:

Dr Bex Lewis is Lecturer in History, Associate Lecturer in Media Studies and Blended Learning Fellow at the University of Winchester.  The focus of her research is upon British propaganda posters, further information can be found on http://www.ww2poster.co.uk. Her most recent publication is a chapter for London Transport Posters: A Century of Art and Design, and she was a major contributor to: http://www.nationalarchives.gov.uk/theartofwar/.

For more: Facebook Group: Death at Winchester

Men at Work

Read more conference information.

Men at War: Masculinities, Identities and Cultures (10-11 September 2009)

men-at-war
Currently preparing for the conference: Men at War: Masculinities, Identities and Cultures, Looking forward to presenting an image-laden paper! Gender theory is not exactly my field, but I have found it interesting dablling, and looking for ways to apply my other knowledge. Meantime, early start to the conference, and I’m one of the first panels… looking forward to meeting new people – and Julie Anderson and Ana Carden-Coyne who I knew from University of Manchester!

Selling a Healthy War

See the abstract submitted beforehand.

Conference Paper Accepted

youareneedednowOn 10-11 September 2009, the ‘Group for War and Culture Studies‘, University of Westminster are holding a 2-day international conference “Men at War: Masculinities, Identities, Cultures”, at Swansea University (in association with Gender & Society and Conflict & Memory research groups). I submitted an abstract for a paper, which has now been accepted. The abstract , within the theme of ‘War Propaganda and Masculine Identities’, was as follows:s

“Men at Work: Visible and Invisible Men in Second World War Posters”

Dr Bex Lewis, Honorary Research Fellow/Associate Lecturer, University of Winchester

The Ministry of Information (MOI), officially formed at the outbreak of the Second World War, was the central governmental publicity machine. Its role was to tell the citizen ‘clearly and swiftly what he is to do, where he is to do it, how he is to do it and what he should not do’.

Considering posters produced by the MOI during the Second World War, this paper will identify masculine identities, both visible and invisible, defined as ‘normal’. These images were interpreted by artists, accepted by the government, and published in wartime posters aimed at the ‘civilian army’.

Image courtesy of Onslow’s Auctioneers.

Keep Calm and Don't Sneeze

Keep Calm and Don't Sneeze Swine Flu

The world is gripped by the fear of Swine Flu, as the World Health Organisation upgrades the current level of pandemic alert from phase 4 to 5.  This does need to be kept in perspective as it is an unfortunate fact that thousands die every year from bog standard flu, and the current epidemic has not led to deaths in Europe at least.

Keep Calm and Carry On

However, this does give an option for the Keep Calm and Carry On to yet again be put to another use, and Zazzle is straight on it with “Keep Calm and Don’t Sneeze” – yet another clever use of the slogan, and its accompanied monetisation. They are not the only ones to pick up on the connection, as has Simon Calder, Jayne Dowle, Deborah Orr, Dan Ariely, South Wales Argus, Vince in  Vancouver, and The Moustacho. Thanks to @SimplerDave on Twitter for pointing this out to me via Twitter!

Coughs and Sneezes Spread Diseases

Just wondering how long before these images make their way out again (I’m giving a paper on this in September). I was talking about this with someone a couple of years ago, as the flu jab leaflets looked distinctly Second World War style – and I guess they were aimed at that generation! Meantime, watch this 1945 video.