Talk: Seeing it through – wartime posters on the Underground @ltmuseum

Tuesday 1 March 2011
London Transport’s war posters used modern design to convey essential information to passengers and staff. Thoughtful passenger behaviour was encouraged in the humorous cartoons of Fougasse and David Langdon. More direct appeals for co-operation, or advice on sheltering and the ‘blackout’ were expressed in easy to read layouts. Other posters celebrated LT’s contribution to the war effort and London’s resilience. Seeing it Through was a series of posters commissioned from Eric Henri Kennington by London  Transport in 1944; they commemorate the everyday acts of heroism by civilian workers during the Second World War. Head Curator David Bownes, and art historian Jonathan Black, discuss London Underground’s poster campaign during the Second World War, from morale boosting propaganda to visions of post war society.
Time: 18.30 (talk lasts approximately one hour)
Tickets: Adults £8.00; senior citizens £6.00; students £4.00

Events Site. I’m guessing much of this material will come from my book chapter, so be interesting to see the angle. I’ve just been given a comp ticket, so I’ll come along and try to remember what I wrote!!

Reconnecting health and safety? Safety education and mass persuasion in twentieth century Britain

Mike Esbester
(Oxford Brookes University)

‘Reconnecting health and safety? Safety education and mass persuasion in twentieth century Britain’

Thursday, 10th February 2011, 12.45 pm – 2.00 pm
Venue: Jerry Morris B, Tavistock Place

The Centre for History in Public Health Looks really interesting, unfortunately I can’t get there!

Lucy Noakes, University of Brighton, speaks at @_UoW: “War on the Web”

Earlier this evening I attended this talk, see my “rough” notes below. Lucy Noakes was visiting the University of Winchester’s Modern History Research Centre.

BBC People’s War website 2003 – 2006.

Veteran memories, referred to as stories.

Cultural memory of the war!

Growing since 1960s. Defined variously Inc mythical debunking (least helpful). Not exclusive to people who have memories of an event. Politics propaganda etc. Underlying.

Term memory problematic. Joanna Bourke. Usually individually. Allowed or repressed according to social mores – or just for specific audiences. Hegemonic – fighting for dominance.

Ww2 constant point of reference – uses it’s been put to politically has been used in many different ways. People’s War – egalitarianism. 1960s-80s a struggle over meaning of the war – eg Patriotism for Falklands gulf war. Produced ideas to draw upon to qualify  war against terror etc. 7/7 – blitz comparison immediate & omnipresent. Partly Pre a weekend with extra day off re war!

Austerity – ww2 ideas of all in it together – being used in current crisis. DC needs reminding that last war – big move to the left. Symbols – stoicism, bravery, humour etc – policies drawn on great ideas of the past…

Memory & the Internet

Digital revolution… Growing accessibility & ubiquity – shaped role & social use of the media. Difference the web & other sites of memory. More transient – not intended to be a permanent public shared memory. Les permanent & more accessible. Material – physically imposing – specific space. New architectural vernacular… More modernist but still imposing. Designed with eye to posterity whilst saying something about culture. Experienced individually. Form can be widely different – eg try to emulate traditional sites. Traditional wall – what about able to search for names & own memories of war etc. Differnet but all shared public spaces. Behaviour diff – esp public/private space.. Emotion felt in public space or in private but made public by participating.

Websites – more participatory. May be edited but a space for otherwise marginalised or dominated memories. Sww memories – several thousand hits.    Contested memory becomes more contradictory & competing memories. Websites campaigning for physical memorials or help for specific groups.

Importance of war in peoples lives – living through history. Importance of warfare seen as important nationally at other times. National narratives with more family style memories.

The BBC website

To be archived by the British Library. Return to genealogy – families would research their families stories & that older people would not want to use technology. However – desire to tell the story – overcame any fears. Big events – encouraged contributions. Culture Online. Took buses to rural areas with 2000 volunteers – demonstrates keen interest continues. Varied style of stories – long short poems.

War continues to play part in private & public memory. Discord between 2. Continued primacy of the male combatant… Original idea was changed… 12% over 60s were using Internet at time but 80% users of the site were over 60. Hugely successful. Thought stories not worth telling or didn’t want to remember negative memories. However, liked a willing audience & a chance to tell stories.

Divided into 64 categories. Most evacuees, least women’s voluntary. Didn’t focus on historical fact – wanted stories & subjective interpretations.. Personal reflections & memories. Make visible what is usually less visible. Still absences – felt didn’t fit or… Eg only 36 conscientious objectors. None re homosexuality. Or made manageable using languages/symbols from the war – eg lights out over Britain.

Marked by fear… Has been marginalised. Eg wartime Blitz experience. Emphasises collectivity & stoicism (eg in films) rather than overriding fear. Stories emphasise the same… Repressed language of warfare 1950s. Woman’s story – catalogue of death & destruction .. But at end Hitler couldn’t get us down… Now expect counselling.

British character – seen at best during war – under pressure. Often used to negatively compare to modern day disasters. Men with active memories of active service… Particular tone – humorous understatement common to fighting men (& those from Liverpool but otherwise not humour). Descriptive language re effects on the body – quite new, eg re difficult injuries etc. Shares more of the ideas of recent films – eg Saving Private Ryan.. Handheld cameras, fear & random death – appears unmediated… Allows death to feature more positively. Would such visceral language have been used without such films?

Eg Remembrance Day – focuses on the fighting forces rather than other supporting services/civilian deaths. Plus eg service associations gives a specific memory.

No need to fight to have your story told as would in a museum but still easier if fits with dominant discourse. Cultural circuit public private stories – public frames private memories. Wanted to draw on stories for programme making. Dunkirk & D-Day particularly key – graphic realism.

Questions & Comments

Channel Islands often forgotten.

What about such websites available elsewhere?

Appeal for memories? For war? Different to memories of wartime?! Do marginal memories remain marginal? Eg sexual violence & rape in genocide. Does war set ‘boundaries’.

Stories cross referenced across categories. Still privileged are the land sea air memories. Post categorisation & can’t know how chosen.

Significance of Iraq war? Not released immediately but… Useful to have positive memories of war.

Mass Observation – responses to recent wars – all referred back to ww2.

Few comments under entries – several removed. Opens dialogue but decades old dialogue. What about new memories – exist – maybe not same funding.

Migration? Why people moved? Family histories. Results published as definitive answers from 18th C. But those who didn’t have families can’t tell a story. It’s all partial.

Continued sense of centrality – excludes all those who moved here since then.

What picture emerges from these stories – the White nation pulling together. Last legitimate war? All wars since don’t have population behind it since.

Do they say anything about Poland?

Where is Wales [lists England, Scotland, Isle of Man]?

Why no body language via video? Why text?

Can’t ask questions of them.

Make Do and Mend

Wardrobe full of clothes, but nothing to wear?

“Come and learn how to customise and transform tired items of clothing with stylist Hannah J at our Make Do and Mend Workshop from 6.30-8.30pm on Wednesday 24th February 2010.

In step with Vivienne Westwood’s call to ‘stop shopping‘ we aim to revitalise your wardrobe, by transforming last season’s dodgy sale items, into 2010’s hottest new trends. Just bring along 3 items of clothing and give them a new lease of life with our handy tips. Buyers remorse will be a thing of the past!

The evening is £25 including yummy homemade cakes and unlimited tea. Places are limited, so buy your ticket to reserve your space!”

Totally in tune with the current ‘turn-to-nature’ as is seen at the Imperial War Museum. Check out more information on the event here, as featured in Queens of Vintage.

Blackout Party, 26th February 2010

26 February 2010, 7.30pm – 1am, ‘The Tunnels’. Looks like a fun event, don’t think I can go, but it’s in aid of a good cause, so hopefully this gives a bit wider publicity to the event.  You can also follow them on Twitter.

Book Launch: Oluyinka Esan: Nigerian Television: Fifty Years of Television in Africa

On the evening of Wednesday 16th December, I attended the Nigerian High Commission for the launch of Dr Oluyinka Esan’s book Nigerian Television: Fifty Years of Television in Africa, which places a small segment of her doctoral thesis within easier reach of the public. Oluyinka doesn’t have particular contacts within the Embassy, she stressed, but felt that her work was not just her story to tell, but was very much a social history of Nigeria. Those in the Embassy were so keen that they jumped upon the chance to host the event, and invited many dignitaries, with the appropriate protocol followed throughout the ceremony (it was very much a ceremony, with the National Anthem played twice). After were some African inspired nibbles, and a chance for book-signings and networking!

Oluyinka Esan is a Lecturer in Media and Film at the University of Winchester.

“Past efforts at documenting the general history of television have tended to focus mainly on Western examples, often superficially aggregating the African experiences, when they are featured at all. A search for literature on the subject yields sparse results thus creating the impression of a void in this vast continent. This ebook offers invaluably detailed information on Nigerian television as an example of the industry in Africa. The focus on Nigeria is justified as the nation boasts the first TV station in Africa, and the largest TV network on the continent. Nigerian Television: Fifty Years of Television in Africa is both timely and strategic as Nigeria celebrates the golden jubilee of its television industry (1959 to 2009). Appreciating the challenges, role and prospects of the industry was at the very core of the author’s raison d’être for writing the text. The research effort informing the ebook has sought to capture factors shaping the encoding practices of Nigerian television in its five decades of operations.

The ebook is primarily an account collated from a range of organisational sources using ethnographic techniques. It examines the pioneering efforts, offering an insight into the use of television as a tool of governance. It shows how central television has been in this process thus revising previous views which, in their celebration of radio as the medium for social mobilisation at the grassroots, have understated the profile of television.

This is an account of a significant aspect of cultural life which should facilitate an understanding of the role of television as an important medium in the politics of a nation; especially one with such diverse identity groups and cultures as Nigeria” (Lybrary)

Forum Entry on 50 Years in Nigerian Television, by one who was there.

Journal Article by Dr Esan

Sweaters and Swimsuits: Knitting patterns as historical sources

“Old knitting patterns are easy to see as ephemeral, disposable items, artefacts of everyday life that we can see in our memory on our mothers’ laps, but that we don’t readily picture in an archive. They are produced for a very specific purpose, and are not designed to become historians’ or biographical researchers’ sources. However, cultural historians and historians of everyday life can learn from them, and can use them as windows on to their time of production. Using sport-related knitting patterns from Winchester School of Art’s Knitting Reference Library as a case study, this paper will look at what historians and biographical researchers can get from this type of evidence: both empirical evidence about disposable income, materials, technology, and household economics, and more subjective, cultural evidence about class, identity, and gender.”

Sweaters and Swimsuits: Knitting patterns as historical sources
Dr Martin Polley, University of Southampton
Friday 11th December 2009: Building 32, room 2097, 2.o0 p.m.

See Martin Polley’s blog. Martin was my PhD supervisor, and he’s written a couple of entries which reflect on the joint interest we have in posters: “In the Frame“, “Olympic Posters

Make Do and Mend (with Oxfam)

Oxfam Chelsea invites you to “Make Do And Mend”, an all day event being held at St Mary’s Church on Saturday 28th November.

Inspired by the WW2 campaign, this event is taking the “credit crunch” head on an offering visitors an alternative way to get their fashion fix. A selection of many fantastic Oxfam pieces will be strutted up the catwalk and then auctioned off.

Expect a fun filled day with a whole host of stalls selling everything from vintage accessories to wedding dresses, as well as the “Customisation Corner” where visitors can take pieces to be customised, swap shops, an exhibition area, and live bands and DJs.

And, to top it off we have a fabulous catwalk show created from pieces kindly donated and all available for you to get your hands on in our super auction to follow.

But there is, of course, a very serious point to all of this fun and frolics. Due to the current poor economy, The Chelsea Oxfam feel as though it’s more crucial now than ever that people start taking notice of charities, who are even more in need at this time. This is a fantastic chance for you to get involved see what we do, what we believe in and how we plan to achieve our goals: How to be Humankind.

We hope that the event will raise awareness of the fashion world and how our culture engorges on disposable fashion. Long gone are the days when you would save up in order to afford a piece of good quality clothing. Now, it’s so much easier to pop into a high street discount store and purchase a cheap knock off version in exchange for a couple of pounds. And, the result is: people constantly buying and throwing away every time a new trend jumps into the spotlight.

‘Make Do and Mend’ is all about breathing life into old existing garments. Whether it be swapping them with a friend (it will feel brand new to you), cutting up an old pair of jeans you haven’t dug out the back of your wardrobe, or purchasing a garment from a charity shop – where your money will be going to a worth cause.

For more information on the event (where you can get tickets etc), ideas on how to “Make Do and Mend” and much more, make sure you keep coming back to this page, where we will be posting regularly!

Saturday 28th November, St Mary’s Church, Marylebone

Doors open: 2.pm
Catwalk show: 6.pm
Auction: 7.15.pm
Live Music 8.30 – 10.pm

** If you would like to get involved, and to volunteer your services, for this event then we’d love to hear from you. Please contact Philippa Hall (philippa_hall[at]hotmail.co.uk) or Carys Rolley (carysrolley[at]hotmail.co.uk) **

****TICKETS: AVAILABLE FROM: THE OXFAM STORE: 432 KING’S ROAD, CHELSEA OR ON THE DOOR AT THE EVENT! ****

Oxfam is a registered charity in England and Wales (no 202918) and Scotland (SCO 039042).
Oxfam GB is a member of Oxfam International

(Take from information on Facebook Event)

Birthday Boogie in the Bunker!

1940s Dancing“The Churchill Museum and Cabinet War rooms in association with the London Swing Dance Society is proud to host the 10th anniversary celebrations of the incomparable South London Jazz Orchestra with an evening of song and dance ‘Birthday Boogie in the Bunker!’

The Cabinet War Rooms, the historic site where Churchill led Britain to victory during the Second World War, commemorates its 70th anniverary this year from becoming operational in 1939.  In November we also commemorate Churchill’s 135 birthday. Come on out on 20 November for a night of song and dance, our birthday boogie in the bunker.”

Find out more on the Imperial War Museum site.

Royal British Legion

Royal British LegionAs we approach November 11th, it seems an appropriate time to add The Royal British Legion “Twibbon” to my Twitter account avatar (for @drbexl).

The Royal British Legion safeguards the welfare, interests and memory of those who are serving or who have served in the Armed Forces. They are one of the UK’s largest membership organisations and recognised as custodians of Remembrance. They also run the annual Poppy Appeal.

The following video doesn’t want to embed, but I thought was interesting, from GMTV.