Comic Superheroes!

I’m fascinated by graphics, especially those that emerged in the 1930s and 1940s, so this story in the Times Higher Education caught my attention:

If you could have one superpower, what would it be? This is a popular question in team-building exercises. Flight? Invisibility? Super strength? Would you want to be able to hurl balls of fire, communicate telepathically or run faster than a speeding bullet? Sometimes we imagine possessing the powers of other animals: flying like a bird, leaping like a tiger or swimming like a fish. Other times we imagine having supernatural powers, such as telekinesis or an ability to shape-shift, that as far as we know nothing has nor could possess. We might just imagine having more of what we’ve already got: strength, speed or heightened senses.

I can declare a degree of knowledge in such matters, having read superhero comic books from my early years. There were no books in the house when I was little, but a few pence bought the adventures of the Hulk, the Fantastic Four and, my favourite, Spider-Man. Initially my older sister read them to me, putting on different voices for each character. But they provided the perfect incentive for me to learn to read for myself.

The myth of the superhero and their supervillain counterparts appears firmly enshrined in popular culture, but the superpowered beings that are recognisable the world over today are relatively new. Superman dates back only to 1938, with merely a few prototypes preceding him. Yet the superhero may be merely the modern manifestation of a more persistent archetype.

Read full story.

The art of warfare

By TOBY WALNE

Last updated at 10:16 PM on 29th May 2010

Wish I’d had money to buy some of these… would love at least one original (particularly Women of Britain)

Your country needs you, Lord Kitchener, Secretary of State for War, famously declared at the start of the First World War in a 1914 recruitment drive poster. Designed by Alfred Leete, the poster proved a huge propaganda success, thanks to Kitchener, his impressive waxed moustache and pointing finger.

Although it ranks as the most famous British wartime poster, it is only one of a huge range of propaganda pieces being sought by investors. First World War posters that could be bought for about £150 a decade ago now sell for upwards of £400.

Second World War examples, previously attractive only to specialist collectors, are also enjoying wider appeal and a bumper rise in prices.

Roy ButlerConfident: Roy Butler says the wartime posters do not seem to date

Roy Butler, 87, partner at military auctioneer Wallis & Wallis in Lewes, East Sussex, believes the continued strength of the images is behind the new demand.

‘The generation with connections to the First World War are dying out while Second World War art work is becoming more appreciated,’ he says.

‘The iconic posters still look fresh, modern and don’t seem to date. They are not only fabulous pieces of art, but of huge historic importance.’

Read more: http://www.thisismoney.co.uk/money/article-1282532/The-art-warfare.html#ixzz1TXjeF113

A story from @transpositions on #RoyalWedding memorabilia

Read the story here. An extract:

I start with the obvious. Memorabilia primarily serves as an aid to remembering. I start here because memorabilia is often judged as being aesthetically deficient, which then levies judgment upon the person who purchased the item. Rather, an item’s capacity to call up memories of an event, a shared moment, or a life-changing experience is surely its purpose and how it should be considered. For example, the screen-printed tea towel that I now own will not only remind me of the day of the Royal Wedding in years to come. It will also serve to conjure up memories of friends and my overall experience of being at St Andrews. Secondly, memorabilia provides a means by which we can intentionally make a claim on a particular memory or experience. The decision to purchase memorabilia is an intentional decision to remember the moment attached to the item. Perhaps we are just victims of good marketing in our purchasing. Or perhaps good marketers realise that we want to remember our good experiences and they have capitalised on those moments.

The “Party Pack” of Keep Calm and Carry On

Thanks to @adamswbrown for that one (where were you?)

Pride of Place @timeshighered

The British landscape and representations of it in art give rise to a happy patriotic glow in many people. Fred Inglis shares that fervour

Is it still possible to claim oneself, in polite academic company, to be a patriot? Both the present and the previous prime ministers have gestured, a bit apologetically but I think sincerely, towards such a frame of mind for themselves and even for their parties. Everyone is at pains to dissociate themselves, of course, from the more horrible forms of chauvinism as displayed by the British National Party, but a mild form of non-aggressive nationalism is common in Scotland and Wales, much qualified in the North by the failures and disgrace of the national banks. Explicit and boisterous patriotism is pretty well confined to sport, as witness all those cars flying the cross of St George during the recent Fifa World Cup.

Patriotism is not, absolutely not, a configuration of emotions and thoughts to be measured by attitude survey. It is too submarine and inarticulate in Britain to command a sufficient rhetoric for colloquial expression. Even at high-water moments of history – 1914, 1940 – patriotic language tended, as George Orwell pointed out 70 years ago, to commemorate defeats and to be undercut by the truculent bawdy of the marching songs as well as by brutal scepticism.

Read full story

Sainsbury’s, Nostalgic Advertising

Please help my Final Year Project/Dissertation student with her research. Helen Nicholls is considering nostalgic advertising in 2009 (we’re still developing the exact question, but will have a clearer idea once we have seen the research that she’s done in the Sainsbury’s Archive) in relation to the recession/companies that are stressing their longevity, and has decided to ask for responses via YouTube (either as a response video, or as a comment). I love seeing students using something they enjoy doing in order to carry out their research requirements… so please help!

The Adverts

Recap of the questions:

  1. How did you find the adverts?
  2. Do you think they were effective for keeping customers loyal (during the recession and tough money times)?
  3. Is there anything critical of the adverts you could suggest? (Maybe? you can think of gender/ethnic issues to highlight?)

THANK YOU TO ANYONE WHO RESPONDS!