Foucault-flaunting prose?

I’m a keen supporter of the plain English campaign, but I also used Foucauldian discourse analysis as the basis of my PhD! In @timeshighered this week:

Dense, wordy, wooden, Foucault-flaunting prose? There is another way, scholar tells Matthew Reisz

If you have ever needlessly added the term “Foucauldian” to a journal article or bludgeoned readers by starting an epic sentence with reference to the “post-Mendel application of Lamarck’s apparently superseded scientific theory by non-empirical social scientists”, then you have followed the trend for “wordy, wooden, weak-verbed” writing that dominates academic prose.

Those are two of the examples picked out by Helen Sword, associate professor in the Centre for Academic Development, University of Auckland, who hopes to bridge the “massive gap between what most people consider good writing and what academics typically produce and publish” in her book Stylish Academic Writing, published on 26 April.

Read full story.

Doctor Who Required

Universities are increasingly demanding that new academics hold doctorates in a trend that some believe could accelerate when the tuition-fee cap rises to £9,000 a year.

The proportion of UK academic staff with doctorates rose from 48 per cent in 2004-05 to 50.1 per cent in 2009-10, according to data prepared for Times Higher Education by the Higher Education Statistics Agency.

Some pre-1992 universities, such as City University London and Birkbeck, University of London, have made PhDs a standard job specification for all new scholars.

City only recently made PhDs compulsory. Paul Curran, its vice-chancellor, said: “All of our new permanent academic staff are expected to engage in high-quality research and so, as a minimum, we require them to have a doctorate.

“Of course, such a research expectation would not be reasonable for new academic staff who join us without research training, and so we support them to obtain a doctorate before their contract is made permanent.”

The proportion of academics with doctorates is already far higher in pre-92 universities (62.7 per cent in 2009-10) than in post-92 ones (29 per cent).

But the figures may become more significant under the new fee regime: in the US, it is common for colleges to advertise the proportion of staff with doctorates in a bid to woo prospective students.

Read full story. Thankfully I do hold a PhD, and one of only (apparently) 5% to pass with no corrections!

Related Projects of Interest

There are many others working on, or have already completed, theses that are also of interest to me as a researcher in this topic, and therefore may also be of interest to others.

  • Boon, T., ‘Film and contestation of public health in interwar Britain ‘, PhD, 1999
  • Chapman, J., ‘Official British Film Propaganda during the Second World War’, PhD, 1995
  • Carruthers, S.L., ‘Propaganda, publicity and political violence: the presentation of terrorism in Britain, 1944-60′, PhD, 1994
  • Davies, S.R., ‘Propaganda and popular opinion in Soviet Russia, 1934-41′, D.Phil, 1994
  • Efstathiadou, A., ‘The Art of Seeing: visual representation of women during WWII in Greece and UK’, PhD, in progress
  • Fisher, S. J. ‘The Blitz and the Bomber Offensive: A Case Study in British Home Propaganda, 1939-45′, PhD, 1993
  • Griange, P., ‘Monochrome Memories: Nostalgia and Style in 1990s America’, PhD, date?
  • Howling, I.R.C. ”Our Soviet Friends’: the presentation of the Soviet Union in the British Media 1941-45′, M.A., 1988
  • Kertesz, M.A. ‘The Enemy – British Images of the German people during the Second World War’, D.Phil, 1992
  • McCarty, E.A. ‘Attitudes to women and domesticity in England, c.1939-1955′, D.Phil, 1994
  • McPherson, E., ‘The impact of the Second World War on local authorities in South Lancashire 1935-45′, PhD, 1995
  • Noakes, L. ‘Gender and British national identity in wartime: a study of the links between gender and national identity in Britain in the Second World War, the Falklands War and the Gulf War.’, D.Phil, 1996
  • Parker, K.L. ‘Women MPs, Feminism and Domestic Policy in the Second World War’, D.Phil, 1994
  • Rennie, P., ‘An investigation into the design, production and display contexts of industrial safety posters produced by the Royal Society for the Prevention of Accidents during WW2′, PhD, 2004
  • Royall, K., ‘Posters of the Second World War: The Fourth Arm of Defence?’, M.A., 1991
  • Ryan, S.F., ‘British perceptions of the meaning of the war: the government, the public and the fate of France: 1939-42′, M.Phil, 1993
  • Sinclair, G., ‘Propaganda and Churchill in the Second World War: the Making of an Icon’, PhD, in progress
  • Spears, L.W., An Enquiry into the use of propaganda on the Home Front during World War Two with special reference to the role and effectiveness of the poster as a means of conveying Government policy MA, 1998
  • Taylor, P.H., ‘The role of local government during the second world war, with special reference to Lancashire.’, PhD, 1992
  • Taylor, P.M., ‘The projection of Britain: British overseas publicity and propaganda, 1914-1939, with particular reference to the work of the news department of the Foreign Office.’, PhD, 1978

Please contact me with your details if you are also working upon a topic of interest, at any level, and wish to be added to the list. Please provide a link to a webpage if you have one, otherwise a synopsis of your project would be good.

See theses completed and in progress for more history theses. If your university is a registered user, you can access abstracts of theses online. Mine was completed in 2004.

Min.

Pat Cryer – PhD Skills

Postgraduates do not realise how employable they are. Pat Cryer explains how to get well paid job.

“Students often give up when they realise how few jobs there are in their specialism. Believing they have nothing else to offer they end up jobless.”

The long haul is over and the prospect of lucrative job offers are an enticing alternative to months of solitary confinement in the research laboratory. Yet very few PhD students do themselves justice in the job market, often under-selling themselves to prospective employers because they fail to appreciate the value of the special skills they have honed during their research.

Surprisingly few doctoral students are aware of their employability. They often give up when they realise how few jobs are on offer in their specialist area. Believing they have nothing to offer elsewhere, they end up depressed and jobless.

Others cannot see beyond their contribution to their field of study. But most employers do not view findings at the frontiers of knowledge as relevant to their business, except in rare cases.

In order to be more attractive to employers and to prepare for a wider range of careers, PhD students need to thing further than their subject expertise. They need to be able to sell those skills and abilities developed during the process of the PhD, and which are valued in wider settings – the so-called transferable skills.

The Association of Graduate Recruiters in its reports, Skills for the Twenty-First Century, suggests that graduates who are most attractive to employers will possess transferable skills in four broad areas: specialist, generalist, self-reliance, and teamwork.

Specialist skills are easily recognised. Therefore a great deal of work has to be done to shed light on the skills in the other three areas, largely due to the Employment Department’s Enterprise in Higher Education Initiative, but it has been almost entirely for undergraduates. Little work has been done on what additional skills it is reasonable to expect at PhD level. There are a few transferable skills which employers would value, and which it is reasonable to expect from postgraduates. The crucial point about these skills is that they should develop naturally, as part of the PhD process. Students, who are aware of these additional skills should have a competitive edge. Furthermore, in jobs outside their specialisms, they should attract higher salaries than applicants without PhDs. All PhD students will, by the time they finish, have spent three or more years on their research, with its various highs and lows. This feat should develop the transferable skill of being able to see any prolonged task or project through to completion. It should include, to varying extents which depend on the discipline and the research topic, the abilities to plan, to allocate time and money, and to trouble-shoot.

In addition, the PhD research needs to keep up with the subject, to be flexible and able to change direction. The abilities to think laterally and creatively and to develop alternative approaches are also highly necessary. Adaptability is highly valued by employers who need people to anticipate and lead change in a fast-moving world, yet resist it where it is only for its own sake. All PhD students should have learned to set their work in a wider field of knowledge. The process requires an extensive study of literature and should develop the transferable skills of being able to sift through large quantities of information, to take on board other points of view, challenge premises, question procedures and interpret meaning.

All PhD students have to be able to present their work through seminars, progress reports and their thesis. Seminars should develop confident presentation, and group discussion skills. Dealing with criticism and presenting cases ought to be second nature. Report and thesis-writing should develop the skills needed for composing reports, manuals and press releases and for summarising bulky documents.

The doctoral road can be lonely, particularly in the humanities and social sciences. Yet the skills of coping with isolation are transferable and can be valued highly by employers. They include self-direction; self-discipline; self-motivation; resilience; tenacity and the abilities to prioritise and juggle a number of tasks at once. Students working on group projects should be able to claim advance team-working skills.

Further examples of transferable skills are many and depend on the interests of the student and the nature of research. Think about advanced computer literacy, facility with the Internet, and the ability to teach effectively. Negotiation skills in accessing resources can be highly sought after. And doctoral students used to networking with others, using project management techniques, and finding their way round specialist libraries or archives.

Since transferable skills of the type I have suggested should be developed naturally during the PhD, the problem for students does normally not lie in acquiring them, but in appreciating the full scope of what they are, in recognising the extent to which they have been acquired and in being able to demonstrate them to potential employers.

How much better it would be if PhD students could be made aware of their exciting and developing transferable skills as a regular ongoing part of their PhD. This would need only modest amounts of time and money. At institutional level, probably all this would need would be overt encouragement.

The main action would start at the level of the department or research group, to develop a checklist of possible transferable skills along the lines described above, but with an emphasis appropriate for the discipline. Supervisors as well as students would need to contribute to this task, so as to use all the available experience, enthusiasm and creativity. There would then need to be small but regular inputs of awareness raising activities, possibly within supervisions, or as part of a departmental seminar series, or provided centrally, perhaps by a graduate school.

To reach the largest number of students successfully, the provision must be integrated into their PhD programmes, so that supervisors, tutors and heads of department regard it as mainstream rather than peripheral. Bolt-on extras have little appeal as they do not contribute directly to the students’ main aim which is to complete the PhD. Ideally any such provision would also help students to show that they have acquired their transferable skills. There may be a case for a small portfolio containing, for example, photographs of press cuttings, etc. showing the student’s involvement in key activities; products or results of research, or plans, photographs or sketches representing them; and documentation of any special awards or commendations. Very little of this is done at the moment. This is both surprising and unfortunate. It is surprising since training in transferable skills is not uncommon at PhD level. Many PhD students, particularly in large departments in science and professional subjects, are trained in those transferable skills which now have general currency at undergraduate level. Also many PhD students are trained, via an institutional careers service, in the skills for career progression, such as researching the job-market, making applications and performing well in interviews and selection tests.

The lack of provision of the sort I envisage is unfortunate because it would require only modest resourcing and would be highly cost-effective in terms of raising the self-esteem of those PhD students who believe they have little to offer employers outside their field; improving the employment prospects of all participating students; and benefiting society by enabling employers to utilise expertise that they might not otherwise know existed.

At the time of writing this article Pat Cryer was a senior visiting professor at University College London and the originator and convenor of the Postgraduate Issues Network of the Society for Research into Higher Education.

The Times Higher: Research Opportunities. May 16 1997 p.1. The original article.

See also: Cryer, P. & Harris, M. The Research Student’s Guide to Success, 2000 (2nd Edn)

Extract from "Chapter 2: Placing the British Experience of the Propaganda Poster in Context"

As I prepare materials for ‘Film History’, it seems a good time to go back to my thesis and access the section of the varying art movements leading to British graphic design styles as the Second World War broke out.

(c) Bex Lewis, 2004

This next section draws on the methodological framework outlined in chapter one to think about aspects of form and style. It sees poster design as an encoding through which ‘truths’ were produced, and form and style as social and political entities through which ‘power’ works. We will analyse the encoding of the visual in terms of the utilitarian, the disruption of traditional ideas, the political, and as a medium for transmitting ideas. Here, we will illustrate ways in which poster design disrupts notions of high art and images produced for the populace. This relates to one ‘contest’ between artists and designers over the power to define the poster and the way it later drew on older traditions of ‘high’ art. Here, we will trace the ‘institutionalisation’ of poster design in terms of groups’ power to produce posters. As the Introduction outlined, there is a wide ranging debate about the purpose of a poster, and indeed what constitutes a poster itself, is. This is partly dependent on the differing views as to what can be considered the predecessors and origins of the poster: ‘[i]n one sense the poster is a modern invention; in another it is as old as history.’ Some have identified forerunners and precedents for the poster. It ‘could be said that any pictorial representation publicly displayed has something of the poster in it, especially if the object is propaganda.’[1] This has led to diverse identifications such as cave paintings,[2] biblical precedents,[3] evidence from the previous ‘industrialised’ nations, [4] shop signs,[5] printed notices,[6] and political cartoons.[7] Most of these, however, were produced singly. It can be argued that the poster only became a truly modern mass medium in the nineteenth century, having developed as societies and technologies evolved. [Read more...]

Women of Britain, Come Into the Factories

Great things come out of little postcards. I bought this poster as a postcard in the Imperial War Museum whilst 15-17, and then put it on the wall, along with a few others, but it’s the colour of this one that stood out, and that I remembered when it came to choosing my A-Level history project, which then became an undergraduate dissertation, and then a PhD.

Poster Title: Women of Britain, Come Into the Factories

Country of Origin: United Kingdom

Date: Probably 1941

Artist Philip Zec

Printer Lowe and Brydone, London Size 29 3/4″ x 19 1/4″

Sources IWM PST 3645

Other Information: Some catalogues list this as being by Donald Zec, Philip’s brother. Donald Zec has recently completed a biography of Philip Zec’s work, and this poster is definitely by Philip Zec.

British Library Entry: PhD Thesis

PhD British Library Entry

It used to be that every PhD thesis was automatically collected by the British Library (in hard copy), but as the number of PhD’s have increased, this policy changed (around the time that I finished mine, 2004), and University Libraries were asked to keep a copy of each PhD thesis (which they generally already did), and make it available to the British Library if requested. I was informed by the University of Winchester library that as my thesis had been requested “enough” times (no, I don’t know what “enough” is), that my thesis had therefore been digitised by the British Library and here is it’s catalogue entry – there’s also copies at the Imperial War Museum and Mass-Observation, as well as still in the University Library – and I have more than one copy! Just need to find the time to turn it into a book…

Freedom is in Peril T-Shirt

Freedom is in Peril T-ShirtThe Last Night of the Proms in Hyde Park in London seemed a good place to wear a bit of a statement t-shirt, and thanks to Freedom is in Peril for sending me this t-shirt!

Unfortunately, it does make people stare at your chest, but great slogans on t-shirts can get some great conversations going! This post was picking up pretty quickly by the Proms in the Park tweeters and re-tweeted!

A Little History
Well, I am a history lecturer!

Alongside ‘Your Courage…’, ‘Freedom is in Peril, Defend it with All Your Might’ was published, distributed and displayed almost immediately as war was declared. Even during the planning stages criticisms were raised that ‘Freedom’ is rather an abstract concept and was “likely to be too academic and too alien to the British habit of thought”. Mass-Observation reported that people felt that they could not defend ‘freedom’ because they cannot feel that they are being attacked, and this remained a problem throughout the ‘phoney war‘. The ‘Your Courage…’ poster probably attracted more anger than ‘Freedom is in Peril’ as there were twice as many produced as ‘Freedom is in Peril’, and the distinction between ‘You’ and ‘Us’ clearly struck a particular nerve. Keep Calm and Carry On of course never attracted any press coverage as it was never displayed.

Responsibility for the failure of campaigns was placed squarely with the government as it meant that, either the people had not been made to feel the urgency of the message, or that “the leaders have not spoken in a language which the people can understand and respond to.” The fact that “three-quarters of the population left school before they were fifteen” appeared to have been ignored. Minister of Supply, Herbert Morrison’s simple slogan ‘GO TO IT!’, echoed in posters, appears to have been far more positively received than “instructions in stiff and incomprehensible language”, although there was concern that this campaign would not mean anything once taken out of context of the speech in which it was made, a fear that appears to have been justified since ‘What is ‘it’?’ was scrawled upon posters.

Extracted from undergraduate dissertation and PhD thesis. Check out the production numbers here.

Men at War: Masculinities, Identities and Cultures (10-11 September 2009)

men-at-war
Currently preparing for the conference: Men at War: Masculinities, Identities and Cultures, Looking forward to presenting an image-laden paper! Gender theory is not exactly my field, but I have found it interesting dablling, and looking for ways to apply my other knowledge. Meantime, early start to the conference, and I’m one of the first panels… looking forward to meeting new people – and Julie Anderson and Ana Carden-Coyne who I knew from University of Manchester!

Quoted in the Independent

IndependentExtract from John Rentoul Blog:

According to a remarkable PhD thesis by Rebecca Lewis:

‘Keep Calm and Carry On’ was printed and held in reserve for when the necessity arose, for example, a severe air-raid, although it was never actually displayed.

Lewis does not say why it was held back. It may be that the tone seemed right before the German tanks rolled into Poland, but that, once the war had actually begun, it lacked the sense of urgency demanded by the premonition of total war.

But she does quote from contemporary evidence that the two posters that were used were widely disparaged. According to Mass-Observation:

‘Your Courage’ was the second most-mentioned remembered slogan … it still existed everywhere, and was deemed mostly annoying and inappropriate for the wartime situation. The wording of ‘Your Courage … will bring us victory’ was criticised. There was some evidence the combination of ‘your’ and ‘us’ ‘suggested to many people that they were being encouraged to work for someone else’, with the ‘your’ referring to the civilian, the ‘us’ to the Government … ‘Freedom is in Peril’ was also deemed ineffective, blamed on ‘the abstractness of the words, not one of which had any popular appeal’.

“Freedom is in Peril” has also enjoyed a bit of postmodern popularity, partly in the wake of the “Keep Calm” fashion. But it wasn’t taken at face value at the time:

The Times had described the posters as ‘egregious and unnecessary exhortations’, ‘insipid and patronising invocations’, which were unneeded and wasteful of funds, comparing the posters unfavourably to those produced by the French.

Read the full blog entry.

Note: Yes, I am catching up on the summer’s Google Alerts!