Can you remember – it is already getting difficult to remember – what things were like before the war? The stockings we bought cheap and threw away to save the trouble of mending? The cars we scrapped every year to keep up with the latest fashion in engine design and streamlining? The bread and bones and scraps of fat that littered the dustbins – not only of the rich, but of the poor? The empty bottles that even the dustman scorned to collect, because the manufacturers found it cheaper to make new ones than to clean the old? The mountains of empty tins that nobody found it worthwhile to salvage, rusting and stinking on the refuse dumps? The food that was burnt or buried because it did not pay to distribute it? The land choked and impoverished with thistle and ragwort, because it did not pay to farm it? The handkerchiefs used for paint rags and kettleholders? The electric lights left blazing because it was too much trouble to switch them off? The fresh peas we could not be bothered to shell, and threw aside for something out of a tin? The paper that cumbered the shelves, and lay knee-deep in the parks, and littered the seats of railway trains? The scattered hairpins and smashed crockery, the cheap knickknacks of steel and wood and rubber and glass and tin that we bought to fill in an odd half hour at Woolworth’s and forgot as soon as we had bought them? The advertisements imploring and exhorting and cajoling and menacing and bullying us to glut ourselves with things we did not want, in the name of snobbery and idleness and sex appeal? And the fierce international scramble to find in helpless and backward nations a market on which to fob off all the superfluous rubbish which the inexorable machines ground out hour by hour, to create money and to create employment
Do you realize how we have had to alter our whole scale of values, now that we are no longer being urged to consume but to conserve? We have been forced back to the social morals of our great-grandparents. When a piece of lingerie costs three precious coupons, we have to consider, not merely its glamour value, but how long it will wear. When fats are rationed, we must not throw away scraps, but jealously use to advantage what it cost so much time and trouble to breed and rear. When paper is scarce we must – or we should – think whether what we have to say is worth saying before writing or printing it. When our life depends on the land, we have to pay in short commons for destroying its fertility by neglect or overcropping. When a haul of herrings takes valuable manpower from the forces, and is gathered in at the peril of men’s lives by bomb and mine and machine gun, we read a new significance into those gloomy words which appear so often in the fishmonger’s shop: NO FISH TODAY….We have had to learn the bitter lesson that in all the world there are only two sources of real wealth: the fruit of the earth and the labor of men; and to estimate work not by the money it brings to the producer, but by the worth of the thing that is made.
Read the full article here.
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I’m still watching the programme, and it seems to be mostly about “Art” with a capital A, which many posters are not considered as, but the initial summary shows Presenter Alastair Sooke talking to the Art Dept @ the Imperial War Museum about the Keep Calm and Carry On Posters.
“A new tour gives visitors to Imperial War Museum Duxford the opportunity to step back in time to between the First World War and the commencement of the Second World War in Britain. Laura Jean Morris explores the history of the new attraction at the popular Cambridgeshire museum.
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