Aimed largely at the undergraduate market (unfortunately un-referenced), the book beings with a brief discussion of the connotations of the word ‘propaganda’: “For some ‘propaganda art’ is a contradiction in terms: ‘propaganda’ suggests government-sponsored censorship, intimidation and deception, while ‘art’ implies the pursuit of beauty, truth and freedom.”
Clark argues against this negative and unbalanced view, examining the complex relationship between art and politics, demonstrating how works of art can have a political purpose, and considering how particular art styles become associated with political systems.
Clark considers not only the state propaganda produced by the dictatorship states, but also deals with the question of propaganda as produced by democratic states, from the late 19th century to the 1990s
The image used on the front cover is one of the best remembered posters from the Second World War, and is contrasted in the book with a poster used in the First World War which highlights the differing roles of women during the world wars.
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